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Posts Tagged ‘The Wrap’



eMeg Invades Libraries; Commish Escapes Bondage

Wednesday, March 31st, 2010

Let’s hear another chorus of  “No Motherland Without You” Not content to road block the state’s airwaves, Meg Whitman has now opened another communications channel to force feed her campaign talking points to all Californians. According to Team eMeg:

Meg Whitman has mailed two copies of her plan, “Building A New California”, to about 1,400 public libraries throughout the state. The 48-page policy magazine concentrates on her three priorities: creating jobs, cutting government spending and fixing education.

“In an effort to provide California voters with the information they need to make an informed decision about which candidate has the right experience and leadership skills to be the next Governor of our state, I’ve mailed my plan for ‘Building A New California’ to our state’s public libraries,” said Whitman. “I encourage the libraries to display my magazine in their periodicals section so voters can gain a clear understanding of how I will govern, if elected in November.”

Such a deal. What’s next – framed oil portraits of Her Megness in every K-12 classroom? “Thanks Dear Leader, for all you do for us” signs erected by Cal Trans on every freeway exit? eMeg loyalty oaths sworn and signed by every faculty member at UC?

First Amendment sluts that we are, Calbuzz is all for widespread dissemination of information. But the idea of using taxpayer-funded institutions as distribution points for political propaganda strikes us as kinda’ creepy, and just doesn’t pass the smell test.

Poizner’s Eyes Wide Shut: Steve Poizner’s flack, Jarrod Agen, couldn’t put enough distance between his boss and Erik Brown, owner of  Dynamic Marketing Inc., whom Poizner’s campaign paid more than $10,000 for literature and mailings last May.

That’s ’cause Brown is the galoot who was reimbursed by the Republican National Committee for almost $2,000 in charges at Voyeur West Hollywood, a risqué, bondage-themed nightclub in Hollywood.

All the news about this, btw, was broken unflinchingly  by The Daily Caller,  conservative TV yakker Tucker Carlson’s DC online political site.

Records show Brown charged Poizner for more than $10,000 in services in May 2009, but a Poizner spokesman immediately distanced the candidate from Brown, the DC reported. Spokesman Jarrod Agen said Brown is merely a “direct mail vendor” and is not a consultant to the Poizner campaign. He says Brown hasn’t worked for them since June. “You can’t call someone a ‘Poizner consultant’ who we haven’t dealt with in nearly a year,” Agen said in an e-mail to the DC.

Catch up with the story, including RNC Chairman Michael Steele’s role, here and  here.

More guilty pleasures: Check out The Daily Beast’s close comparative analysis of Democrat and Republican sex scandals, which includes a ranking of the top 58 of the last 20 years, featuring three Californians – Kevin Shelley (#29); Gary Condit (#43) and Gavin Newsom (#53) – as well as Andy Borowitz’s blindingly insightful look at what l’affaire de Voyeur means for the RNC’s stance on gay marriage.

How about naming rights for the Wednesday edition? Our Department of Newspaper Credibility and On-Time Driveway Delivery has long found problematic the Chronicle’s practice of running Willie Brown’s column in its news pages.

We have nothing against the Sunday Mr. Speaker feature – in fact we’re often entertained or informed by one of his self-serving items. Given Brown’s impenetrable tangle of political, financial and legal interests and conflicts in San Francisco and California, however, prudent editorial  judgment would seem to err on the side of running the column on the op-ed page, where readers would understand up front that what they were getting wasn’t “news” in any sense of the word.

Now comes the Bay Guardian to report that Chronicle columnist Brown has been representing PG&E’s political interests before the state Public Utilities Commission, with nary a word of disclosure to readers. When the Guardian’s Tim Redmond called up editor Ward Bushee to ask WTF, he offered this see-no-evil response:

Our readers like his column to a large degree because he’s the Willie Brown with a long and colorful political history and many connections…Willie is not an employee or a member of the Chronicle staff but his columns go through standard editing procedures. He understands conflict of interest as well as anyone. I’m confident that he would not use his column to promote or benefit outside interests or clients. But if you feel differently, why don’t you contact him and ask him these questions directly.

Huh? In other words, the ethical standards of the San Francisco Chronicle are now left to the journalistic judgment and best intentions of Willie L. Brown Jr. to determine. And you wonder why newspapers are in the dumper.

And don’t call me chief: “The Wrap” is one of our favorite Hollywood news sites, but not necessarily the first place we look for serious media criticism. But Dylan Stableford delivered a well-deserved smack on the snout to the 15 dead tree newspapers in the nation whose editors decided that passage of health care reform did not merit play on the front page.

Among the papers that put the story inside, and the yarns they featured on the front instead:

Palm Beach Daily News, Palm Beach, Florida
“Census Forms Arriving in the Mail.”

Tampa Bay Times, St. Petersburg, Florida
A story on Hollywood’s suddenly feeble leading men pegged to Ben Stiller’s “Greenberg” character.

Commercial-News, Danville, Illinois
Photos of a maple syrup open house.

Don’t stop the presses!

Calling all wingnuts: Frank Rich nailed it with Sunday’s column in which he loudly called out the racism and sexism of the Arayan Nation Tea Party legions, noting correctly that their complaints about health care are nothing more than a gauzy curtain for their bottom line concern: there’s a black guy in the White House:

That a tsunami of anger is gathering today is illogical, given that what the right calls “Obamacare” is less provocative than either the Civil Rights Act of 1964 or Medicare, an epic entitlement that actually did precipitate a government takeover of a sizable chunk of American health care. But the explanation is plain: the health care bill is not the main source of this anger and never has been. It’s merely a handy excuse. The real source of the over-the-top rage of 2010 is the same kind of national existential reordering that roiled America in 1964.

If Obama’s first legislative priority had been immigration or financial reform or climate change, we would have seen the same trajectory. The conjunction of a black president and a female speaker of the House — topped off by a wise Latina on the Supreme Court and a powerful gay Congressional committee chairman — would sow fears of disenfranchisement among a dwindling and threatened minority in the country no matter what policies were in play…When you hear demonstrators chant the slogan “Take our country back!,” these are the people they want to take the country back from.

Patriots, indeed. 

Plot Thickens for Villaraigosa in LAPD vs. Hollywood Feud

Thursday, April 23rd, 2009

Partisans of Antonio Villaraigosa groused and grumbled about our Monday post disclosing how the L.A. mayor and wannabe governor is caught in a Big Squeeze between the LAPD and Hollywood filmmakers over security for location shoots.

But over at The Wrap, former NY Timeswoman Sharon Waxman’s cool site covering all things Hollywood, Michael Janofsky advances the ball on the story by reporting out details of the City Hall politics being played over the issue.

Waxman, BTW, is locked in a feud of her own, as she and the indomitable Nikki Finke of Deadline Hollywood Daily exchange fusillades of trash-talking over who has the Alpha site covering Tinsel Town, as the New York Observer observes in a juicy report here. (The fireworks are way down in the story.)

LAPD-Hollywood Feud Clouds Tony V’s Bid For Gov

Sunday, April 19th, 2009

The Big Squeeze: L.A. Mayor Antonio Villaraigosa is caught between an LAPD rock and a Hollywood hard place, as cops and movie crews battle over security costs for Tinsel Town location shoots.

The boulder up against Hizzoner’s backside is Police Chief William J. Bratton, who wants to boot uniformed retired officers who provide film-set security in favor of active, off-duty LA cops, who would be accountable to his commanders — and paid nearly double the going rate.

Pressure on the other cheek comes from the financially-struggling film industry, reeling from the recession and record low numbers of on-location TV and film shootings in LA. They say Chief Bratton’s proposal – on which Villaraigosa has stayed decidedly mum – will make it even less attractive for film crews to shoot in L.A., worsening the problem of runaway production.

As he weighs a run for governor, Antonio Alcalde faces a possible political embarrassment no matter which side he favors in the feud: How would it look if he launched a campaign without full backing of his own chief? And what kind of LA mayor wades into a governor’s race without big time Hollywood support?

When Calbuzz started asking questions about the dispute, Villaraigosa’s press people hemmed, hawed and scurried around for two days to come up with some answers, and finally told us late Friday the mayor is hoping to work out a compromise. But retired cops have had the sweet gig for location security services for half-a-century, and it looks to us like the mayor risks honking off either the film industry – which has rallied around the ex-officers — or the LAPD and Bratton, who argues that the incumbent retirees are not accountable.

As far as we can tell, nobody has looked at how this issue might affect Tony V if he runs for governor. The LA Times has been following the issue as a business story and, to some degree, as a local labor beef between the LAPD and the coalition of labor and industry groups, That includes the Teamsters and the Motion Picture Association of America, who are fighting to keep things as they’ve been for the last 50 years. As Nikki Finke has noted in Deadline Hollywood Daily, Film LA is peeved that the movie-cop issue remains unstuck.

Location cops now make about $50 an hour. Under Bratton’s proposal, if the studios want to keep cops in LAPD uniforms, they’d have to pay time-and-a-half plus a 14% administrative fee — which adds up to $80-$100 an hour, according to Gene Patterson, secretary of the Motion Picture Officers Association.

“The mayor doesn’t have to be caught between a rock and a hard place,” said Marilyn Bitner of Plan A Locations, a company that brokers residential and commercial sites to the film industry: “If you drive out production, you’re losing resources that fund the police,” she told Calbuzz. “I don’t know why the mayor won’t weigh in”

Bitner and other LA sources also told us Villaraigosa has only a perfunctory relationship with the film industry, which may help explain why it took Villaraigosa’s political consultants and LA press people two full days to explain where he stands on the issue.

We got bounced from one staff person to another until spokeswoman Janelle Erickson finally told us: “The mayor enjoys a very close relationship with the film and entertainment industry in LA. It’s always a priority in the mayor’s office to support an industry that creates jobs.”

According to Erickson, Villaraigosa is working on a “compromise” that would allow retired cops to continue location work, but not in their LAPD uniforms. There’s the rub: retired cops and filmmakers we spoke to said that’s no compromise at all. Unless movie cops look like real LAPD officers, they say, there’s no way they can command the authority needed to secure a film site.

“You can’t stop traffic and run interference if you look like a mall security guard,” said Peterson, a retired detective supervisor with 37 years in the LAPD.

Erickson referred us to the Director’s Guild of America where spokeswoman Sahar* Moridani, offered this lukewarm comment: “We’ve always enjoyed and appreciated the open access and the support we’ve received from the mayor’s office.”

It is true that Villaraigosa enjoyed financial support in his re-elect from high-end names in the entertainment world like Spielberg, Geffen, Katzenberg, Hanks, Reiner, Streisand et. al. But they aren’t the ones on the front lines of this fight.

“He may have a relationship with the Steven Spielbergs of the world,” Bitner said, “but he doesn’t have a relationship with the working industry – the people below the line,” referring to location managers, line producers, camera, set and design crews, plus the large number of others who work on location.

So who’s Villaraigosa gonna pick — the working film industry or the chief? As one L.A. media pal of ours put it: “Kind of your classic lady or the tiger.”

*Oops — in the original we called her Sarah. Sorry.

Furthermore: Since our original post, we caught another look at the issue on Sharon Waxman’s “The Wrap”